Aerial
Put it this way in headlines
Nomethod
There are few opening tracks that spark so perfectly to life, coloring not only the album to follow, but drawing the listener into this creative work, as the aptly titled "First of all...". While the following track does dampen the energy momentarily, from that point on "Put it this way in headlines" unravels as an impressive addition to Aerial's catalogue. The heavier, Mogwai/Mono-inspired post-rock of "The sentinel" has been replaced by a much cleaner, almost pop-like approach -- imagine a strange amalgamation of The End Will Be Kicks and Yamon Yamon. The only serious failing of "Headlines" is that the band, after embracing a change to their sound, sometimes takes too long to hit all the right notes, and then doesn't hit those notes quite hard enough. "Zebra" should have been anthemic, but only briefly reaches that point in the closing minute of the song; it's still a damn fine track, I am just not sure why the building energy suddenly stops. A few more songs like "Vacant dreamers", a track that blurs the line between post-rock and angular garage rock, might have helped as well, though said track suffers in a similar way to "Zebra": these songs seem to be building somewhere, but they never get there; this was never a problem on "The sentinel". That said, with "Guitar ode to a sunny afternoon" and all the other gorgeous moments on the album, there is more than enough to "Headlines" to make Aerial's present and future look quite bright.
- Lars Garvey Laing-Peterson
