MP3: The Kid - Bloodmoon
Saturdays in 2008 are devoted to the music of Göteborg. This week's guest: Patrik Bengtsson from The Kid. The band's new album "Transient blood" is out now on Hybris.
First off, the standard question: how long have you lived in Gbg, what brought you there and what keeps you around?
Johan is born here and the other three of us are from Småland and moved here to exchange the rich soil and the pine trees for education and nightlife. Then we found friends and love and decided to stay. Frida moved here in 1996 and me and Maja came in 2000.
I hear a strong lineage in The Kid's music that connects it to the Gbg post-punk scene of yore, bands such as Cortex (obviously), but it's more than that. Do you think that's an extension of living in the same city or is it more predetermined? Was that the sort of thing you grew up on or did you discover it later?
Freddie Wadling is an icon, all the things he has been involved in is great such as Blue for Two, Liket Lever, Lädernunnan, Rukorna and Fläskkvartetten, the original punkscene of Gbg was great with bands like Göteborg Sound and Slobobans Undergång. We were listening to punk and post-punk long before we moved to Gbg. The Swedish post-punk scene was great, with bands like Commando M Pigg, Brända Barn and Reeperbahn. As a new Gothenburger you become proud of Gbg when you understand what this town has giving the world in forms of music and bands, but our taste in music was already formed when we all moved here.
Do you think it's important to keep that musical heritage alive?
When it comes to pop music, no.
Putting aside nostalgia for the moment, how would you say The Kid looks toward the future? Are there any current movements/scenes/happenings in Gbg (or elsewhere) worth paying attention to, whether you are personally involved or not?
We will continue struggling with the band trying to combine the sound of the early 80-ies with the sound of the new new wave/the new new romantic. Make some shows and some new songs. No big plans, just nice to have the possibility to do this and get paid for it. We've been around for a couple of years now and we are quite bored playing for stiff students. It's time for the new Gbg-scene with people in their 20ies to do the studentclub-mayhem. I think the new Gbg pop-scene is some form of an antiscene. They frown at the old Service glory days. They spit on electronic stuff like laptops and iPods, they play instruments and wear hats and love Håkan Hellström instead of The Embassy and Claes Ohlson-stroboscope. And they've got authentic good self-esteem; that's good but it's the total opposite of the classic Gbg scene.
Don't think that I'm a silly old fart, I love changes. And some of these kid are guests at my monthly 77-punk club and they know the lyrics to all the old Gbg punk songs. So the future is saved. They know their heritage.
I understand that a number of you are involved in other art projects besides The Kid- what else are you currently working on?
We are constantly working with other art(y)/music projects.
You will find a couple of them on our myspace–site under top friends. Otherwise, we are still working as Artists and Architects, and when we run out of money we take care of old people, trees and flowers. You can also visit www.mermermer.com and click on Frida Sjöstam and www.patrikbengtsson.com for some aesthetic-experience.
Would you say that Gbg is an artist-friendly city?
I'm sure that Gbg is the best music-friendly town in Sweden. All the interesting bands from the last 10 years are from Gbg. And the mood between the bands is nice and friendly.
Lastly, have you got a song from the new album that you'd like to share?
I think "Let's go kid" or "Bloodmoon" are two nice songs, you could use one of them.
My personal preference is demonstrated below...
The Kid - Bloodmoon