Kite
s/t EP
Lyckan/Progress Productions
Nicklas Stenemo's (The Mo, Melody Club) voice, an instrument that functions like a fuller, more masculine translation of Karin Dreijer's vocal style, elevates this fine record, one that would be perfectly capable of garnering strong reviews without Stenemo's captivating utterances, to something well beyond the run-of-the-mill renditions of 80s electronica. Christian Berg's (Yvonne, Strip Music) love of authentic 80s synth sounds combined with Stenemo's pop sensibility and voice converge so fluidly, bringing to mind acts like New Order, but it's merely a reference point. Opener "Ways to dance" is a distinctly Scandinavian electronic pop song: driving, punctuated by oscillating drum fills à la The Knife; "Say it ain't so" relaxes its hold on the throttle, settling into a layered, paced rhythm; and closer "Learn to like it", a mesmerizing, melancholic track, puts on display much of the aptitude demonstrated on the EP: the intricate levels of synths and voices, the pitch-perfect structure of the songs - never meandering, never going on too long, and merging the measured step of "Say it ain't so" with the unhurried, ethereal expanse that is "My girl and I", my personal favorite. Kite have been fine company on long, cold walks home through streets lined with dying leaves, while reading Ellis' "Less Than Zero", and during the final hour before heading out into the city; the fact that Kite can offer so much in four songs gives the thought of a future full length effort enough weight to push me through what looks to be a bitter winter. I just hope it's not too long a wait.
- Lars Garvey Laing-Peterson
