Peter Bjorn and John
Seaside rock
Wichita/V2
To be rather honest, I haven't really kept up with Peter Bjorn and John since they became everyone's favorite Swedish pop act with "that whistling song". Due to my negligence, I was completely taken aback by the instrumental nature of "Seaside rock" -- not just because there are few vocals (and the ones present are treated like instruments), but because a decent amount of the tracks on the album would be much improved by the introduction of a lyrical voice. It's hard to fully settle into the album. My mind keeps recalling tracks like "Objects of my affection" and "Up against the wall" from "Writer's block", and comparing those songs with the efforts on "Seaside rock" (I hope the rhyming nature of the two album titles was not intentional), this new record doesn't fare too well. It's not awful, not by a stretch, but the sudden and strange shift of tone is... well, awkward (and not in a cute way). The lush pop layering of Peter Bjorn and John has been replaced by avant-garde, postrock-inspired tendencies -- it's like Shout Out Louds following up "Our ill wills" with an album of Godspeed! You Black Emperor covers. There are some fantastic results -- "Barcelona", for example -- but the overall, lasting impression is the question, "Why?" "Seaside rock" is interesting, but it should have been released under a different band name; it's just not a Peter Bjorn and John record, but it has to be judged to that standard... and, sadly, it doesn't live up.
- Lars Garvey Laing-Peterson
