Marit Bergman
Can I keep him? CDS
RCA
Marit Bergman's second solo-album "Baby dry your eyes" is one of the finest records that has been released this year, thus me listening to an EP with four new songs by her will of course be nothing but a session of preaching to the already converted. The title track (with its, strangely enough, original title) is one of the best songs on her album, but it's the three other tracks that are of real interest. People like me who prefers Ms. Bergman when her songs are of the uptempo nature, can all rejoice in the ace "Please don't walk on red" that highlights one of the biggest downsides of being in love. "Boom Boom" with its regular Marit Bergman stomp inevitably stands in the shadow of the rest of the songs on this EP, and although it's a better song per se than "Highway for Hell" (the last track on this EP) it fails to interest the listener as much as the latter. Her rendition of this AC/DC number is in the same vein as Mark Kozelek's covers, and like Kozelek, Bergman manages to transform one of AC/DC's machismo anthems into something completely different, namely her own feminist manifesto (sort of) by making the song into a minimalistic number with her voice being accompanied by a lone piano.
- Simon Tagestam