Kleerup
s/t
EMI
Pop music can be about a lot more than shifting hundreds of a thousands of records and continuously rotating overly-glitzy music videos, and Andreas Kleerup's self-titled debut is verification of this idea. Holding more in common with The Knife's songwriting approach than that of Max Martin, and reveling in similar production tricks to that of Justice, Kleerup's compositions seem almost "accidentally" radio friendly; too much effort has been put into these tracks for them to be dismissed as pop fluff, and yet too much pop sensibility has gone into their writing for the songs to feel pretentiously avant-garde -- the album's strengths exist somewhere in between these two judgments. While the record is rather star-studded with tracks featuring numerous well-known artists: Robyn, Lykke Li, Neneh Cherry, and Marit Bergman, to name a few, Kleerup's own tracks stand up well on their own. "Thank you for nothing" runs cleverly between Europop-like catchiness and the allure of well-produced remixes of bands like Phoenix, and opener "Hero" is an engaging first look at the album, evoking a strange mix between Vangelis and Röyksopp. "With every heartbeat", the Robyn-featured single, is my favorite track, though the Marit Bergman led "3am" and Lykke Li's "Until we bleed" are not far behind. Overall, "Kleerup" is a skillfully produced pop record that's as much fun as it is expertly written and executed -- a pleasant departure from the soulless gloss of so many other pop albums.
- Lars Garvey Laing-Peterson
