Tsukimono
Née
Kalligrammofon
Johan Gustavsson is young, at only 23, but his music, under the name of Tsukimono, seems much more mature. The feel of the album is always out of step - awkward and dysfunctional, but strangely beautiful at the same time. Fragments of each track are picked up throughout the album, which links the tracks with a classic ambient narrative. For instance, a backdrop of torrential rain is returned to, as is the same shadowy, heartfelt piano. Melodies are often repeated with subtle changes to the general sound and feel of the instruments. This leads to a lack of memorable, standout tracks, rather a combination of tracks that should be listened to as a whole. It took a lot of time for me to really appreciate "Née" as it is so jumbled, but it gradually becomes easier to follow and easier to enjoy. The acoustic element to Gustavsson's music earns him a reference to Four Tet - who some would say is a more experienced artist, but both produce work that is descriptive and visual. With a 'sister-album' entitled "Heart attack money", I'm looking forward to hearing more from Tsukimono.
- Jude Ainsworth
