Mixtapes & Cellmates
s/t
Nomethod
I've often wondered if the point of music is to punctuate the sprawling, sequenced moments of life, to trap memories in such a way that when we hear a song five years on from that first listen we remember the smell of a room, the clothes a girl we knew was wearing, and, most importantly, how it felt to be alive at that time and place in our lives. Mixtapes & Cellmates' recent full-length seems to add weight to my idealistic, dreamer's philosophy; the first instants of "Hold" took me back to warm summer evenings in Stockholm with its wonderfully interwoven elements of Magnet, Last Days of April, and the Radio Dept. This unique layering of influences doesn't detract from the distinctly original approach of the members, instead giving the compositions the ability to bring whispers of nostalgia to a recognizable volume while still etching itself into the present. Mixtapes & Cellmates is a flowing expanse of youthful energy and maturely crafted songs. The production wonderfully highlights the talents of the members: electronic elements provide many of the core facets of the melodies, but without becoming annoying or distracting, providing the backdrop for the soft, yet confident vocals and lost, sprawling guitar lines. The end product is a collection of confidently written, well presented, and full-bodied songs, even in the sparser sections of compositions like "The better half of cynical boys". Mixtapes & Cellmates holds as much dawn as it does early evening, giving it the versatile strengths required to be both a good summer and winter album; hopeful even in its darker moments, as I'd like to look back on these moments of youth in five years.
- Lars Garvey Laing-Peterson
