"Deathlike Silence: Norsk black metal 1993-2003" - a Norweigan essay on the past 10 years of black metal, as alerted to me by the Solefald site. Since they're much more eloquent writers than me, here's what they had to say on the paper:
On September the 5th the Norwegian review Samtiden (www.samtiden.no) published an essay by Cornelius entitled "Deathlike Silence. Norwegian Black Metal 1993-2003". The essay, unfortunately available in Norwegian only, contains memories from those first crazy years (Euronymous' "Helvete" shop), rare excerpts from the personal letters of Euronymous, and also comments on how the Norwegian media have been dealing with the genre over the last ten years. The essay has probably only little new to say to experienced Metallers; what is new is that a cultural review directed at a broader, educated public actually takes black metal seriously, both as an artform and as an ideological phenomenon. Mostly grimmer black metal bands such as Darkthrone, Satyricon, Emperor, Immortal and Mayhem are featured, as the origin and history of Norwegian black metal is the centerpoint of the essay. There is of course a lot to be written about the second generation of bands (from 1995 and onwards, roughly), acts such as Arcturus, Ulver, DHG, Borknagar, Khold, Myrkskog, and hopefully also yours truly... The title "Deathlike Silence" has rather melancholic implications, as August the 10th was the 10th anniversary of Euronymous' murder. Without the life and work of that twisted, idiosyncratic mind, Norwegian black metal would be just that, a deathlike silence. But since then, as we all known, black metal has evolved so drastically that in some cases it cannot simply be called "black" anymore, maybe "avantgarde" or "post-black" or "neo-black" or you name it (just not "Radical Designer Rock'n'Roll" [as Solefald labels themselves -ed.]).
I agree - it's definitely interesting to note the way the media has picked up the black metal phenomenon and how it's been covered throughout the years. I remember when I first heard those bands way back in the early nineties and how scary and inhuman they sounded. Strange how times have changed - Satyricon and Cradle of Filth are on majors now, for starters. Those of you like me who don't read Norweigan and are interested in learning more about the scene should definitley pick up the book "Lords of Chaos: The Bloody Rise of the Satanic Metal Underground" by Michael Moynihan and Didrik Soderlind. It's not perfect, but it does provide for a good primer.