Search: Darkthrone
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The playlist for my radio show this week:
01. Pistol Disco - Walking with Jesus
02. TALK 1
03. Heroes & Zeros - Into the light
04. Vijaya - Your gun will never set you free
05. Convoj - My timekeeping heart
06. TALK 2
07. Darkthrone - Too old, too cold
08. A Perfect Friend - Rush hour
09. Death By Kite - Hiroshima
10. TALK 3
11. Fun - I've got a truck
12. Moonbabies - Walking on my feet
13. The Perishers - When I fall
14. TALK 4
15. Regulations - Police siren
16. Viola - Ordinary teenage sensation
17. Björn Kleinhenz - Starlit queen
18. TALK 5
19. Gravy - Glory to our brilliant name
20. Hero Dishonest - Stalin vs Hank Hardy
21. Sophie Zelmani - To know you
22. Ulver - Capitel III: Graablick blev hun vaer
23. TALK 6
24. Håkan Hellström - Ramlar
25. Abhinanda - Highway tonight
26. Single Unit - Passion, pirates & parasites
27. TALK 7
28. Kompjotr Eplektrika - Skulldrummantra
29. The Tiny - Just like you
30. Death Breath - Death breath
31. TALK 8
32. Entombed - Serpent speech
33. The Cardigans - Marvel hill
34. Soviac - I got the ribbah
35. TALK 9
36. The Bear Quartet - Put me back together
37. You Is Stupid - I am history
38. Paris - 60 minutes
39. The Process - Mot Sverige i tiden
40. TALK 10
41. Weeping Willows - I give you the morning
Dagavisen is counting down the top 30 Norwegian albums of all-time: http://www.dagsavisen.no/kultur/musikk/article293966.ece
Summary of what's posted so far:
30. Turboneger - Apocalypse Dudes
29. Tre Så Kinesere - 365 Fri
28. Darkthrone - A Blaze In The Northern Sky
27. Madrugada - The Nightly Desease
26. Kung Fu Girls - This Is The Kung Fu Beat
25. Sissy Wish - You May Breathe
24. Lillemor - Lokkemann
23. Terje Rypdal - Bleak House
22. a-ha - Hunting High An Low
21. Thomas Dybdahl - That Great October Sound
Check out Aversionline for an amazing drunken video interview with Fenriz of Darkthrone: http://www.aversionline.com/blahg/2007/06/04/how-much-primitive-can-you-get/
The Nocturnal Cult webzine has an awesome new interview with Fenriz of Darkthrone: http://www.nocturnalcult.com/
6
These Finns return with a new six-song batch of sludgy, dirge-heavy punk and this review is long, long overdue. I like it best when they settle into a comfortable groove and are content to bludgeon you relentlessly and repetively with a simple, crushing riff. Closing number "No pulse" is a brutally effective example, sounding like some unholy hybrid of late-era Black Flag meets Darkthrone by way of early Neurosis. It's heavy and hypnotic. Unfortunately, the more they try to change it up, the more they stumble. Keep it simple, keep it strong.
- Avi Roig
Abbath's new band I picks up pretty close to where Immortal left off and I think that's great. See, unlike most black-metal purists, I've always felt that the each of the band's albums was better than the one that preceded it. Besides being recorded terribly, early material such as "Pure holocaust" and "Battles in the north" just aren't that good. The promo photos? Still undeniably classic. But the music? Eh, I rather listen to Darkthrone if I want to stay tr00 and kvlt. I however, is something different. The cold darkness of black-metal remains, but the music is far more rooted in thrash and other, more classic heavy metal styles. Just listen to that song I've posted today and tell me that opening riff doesn't remind you of "Bark at the moon". Sure, it starts to sound a lot more like Bathory once the drums and ominous keyboards come in, but that too is a good thing. Abbath's croaking vocal style might be too much for some to take, but I think it just adds to the atmosphere he's trying to create. It's supposed to sound evil, y'know? Thrash on.
I - Far beyond the quiet
Heavymetal.no has the heads-up on the new Darkthrone "Forebyggende krig" 7": http://www.heavymetal.no/show.article.asp?menuid=&artid=5110
I have not been following Darkthrone's career in the past, say, five years, but back in the day they were the sickest, most incredible black metal band along with Abruptum and perhaps Marduk. These dude were seriously evil. I don't know what happened there, but "The cult is alive" is considerably more rock than I ever thought this band capable of. Not just slower, but the whole thing has tinges of grarage rock, Misfits-like punk and a little bit of Samhain thrown in. It might be also the most Venom-inspired black metal album I have heard in quite some time. I guess they wanted to go back to the source. The whole album is seriously awesome as it is so unexpected, and the music ain't crap either, very good stuff. I am totally in awe.
- Simon Thibaudeau
Of all the original Norwegian black-metal acts, Enslaved has always been one of the best, most progressive bands. While others like Darkthrone refuse to change and bands like Emperor reverted back to exploring their tech/death-metal roots before breaking up, Enslaved consistently expanded on their so-called "viking metal" sound by incorporating even more grandiose melodies, clean expressive singing (and the use of English as opposed to their insistence of only speaking in old Norse) and weird psychedelic parts. I wasn't too stoked on the last two albums "Isa" and "Below the lights" since I considered them a bit of a regression following the brilliance of "Monumension" and "Mardraum", but the new record "Ruun" is a return to form. They've ditched the recycled Darkthrone grim/necro/kvlt-style riffage and gone back to what makes them great: more Voivod-esque syncopation and dissonance, less atonal droning. I had a hard time deciding on a standout track since the whole thing flows really well as an album, so I've posted the title track for you today. It has all the traits that make Enslaved great, so I think it's a good place to start.
Of all the original Norwegian black-metal acts, Enslaved has always been one of the best, most progressive bands. While others like Darkthrone refuse to change and bands like Emperor reverted back to exploring their tech/death-metal roots before breaking up, Enslaved consistently expanded on their so-called "viking metal" sound by incorporating even more grandiose melodies, clean expressive singing (and the use of English as opposed to their insistence of only speaking in old Norse) and weird psychedelic parts. I wasn't too stoked on the last two albums "Isa" and "Below the lights" since I considered them a bit of a regression following the brilliance of "Monumension" and "Mardraum", but the new record "Ruun" is a return to form. They've ditched the recycled Darkthrone grim/necro/kvlt-style riffage and gone back to what makes them great: more Voivod-esque syncopation and dissonance, less atonal droning. I had a hard time deciding on a standout track since the whole thing flows really well as an album, so I've posted the title track for you today. It has all the traits that make Enslaved great, so I think it's a good place to start.
Enslaved - Ruun
"Nothing to prove / Just a hellish rock'n'roll freak / You call your metal black / It's just fucking lame and weak"
Darkthrone wastes no time in laying down the law and telling you exactly what they're about. As if you couldn't tell by their trademark buzzsaw guitars and plodding beats. In a scene where grimness and regression are sought-after virtues, none are more true than Darkthrone. Bands like Mayhem get chastised for attempting to update their sound, but Darkthrone steadfastly soldiers on. There are few things you can count on in this world, but you always know what you're getting with these guys. But sometimes they do try to put one over on us - C'mon guys, what's up with that Siouxsie and the Banshees cover? My automatic reaction is to deny their self-awareness, their sense of humor. They're too kvlt for that, right? But it's there and it's undeniable. Darkthrone is smiling.
"Nothing to prove / Just a hellish rock'n'roll freak / You call your metal black / It's just fucking lame and weak"
Darkthrone wastes no time in laying down the law and telling you exactly what they're about. As if you couldn't tell by their trademark buzzsaw guitars and plodding beats. In a scene where grimness and regression are sought-after virtues, none are more true than Darkthrone. Bands like Mayhem get chastised for attempting to update their sound, but Darkthrone steadfastly soldiers on. There are few things you can count on in this world, but you always know what you're getting with these guys. But sometimes they do try to put one over on us - C'mon guys, what's up with that Siouxsie and the Banshees cover? My automatic reaction is to deny their self-awareness, their sense of humor. They're too kvlt for that, right? But it's there and it's undeniable. Darkthrone is smiling.
Darkthrone - Too old, too cold