Storm Corrosion, the official collaboration project between Opeth's Mikael Åkerfeldt and his producer/friend Steven Wilson (Porcupine Tree), have signed with and will release their self-titled debut on April 23.
MI reports that has started a new rock/metal imprint called to be run by ex- exec Johnny Hagel: http://www.musikindustrin.se/artikel/1534/Bonnier_Amigo_startar_rocketiketten_Supernova_Records.html (in Swedish)
Their first release will be Royal Republic's debut album with other releases on the way from Hate Ammo, Three Minute Madness, April Divine, The Animation and others to follow.
Five albums in, you know what you're getting when it comes to Pain (Peter Tägtgren): A well-produced slice of industrial pop-metal, with some stand-out singles (this time called "Zombie slam", "Clouds of ecstasy" and "Nailed to the ground") and albums tracks of varying quality. The previous album was inspired by his collapse, death and following revival and had a real fighting spirit. This one seems mostly inspired by a divorce and is fuelled by equal parts dislike, thinly veiled hurt and a bit of misogyny. That makes for good anger, but not always good songs. The best ones are where Peter doesn't try to hide under furious riffs, but travels the lighter and poppier road. The album feels slightly split; it is like Peter is at a crossroad. He needs to decide what he really wants with Pain. Is it industrial pop-metal, or the heavier songs? Or maybe he should just do the cover album he's been talking about for so long. After all, the "Play dead" (Björk) cover on the album shows a real knack for interpreting others' works, while keeping the emotional core intact.
- Hanzan
With a new giant label backing them up and a new letter in the bands name, the guys are back with the follow-up to 2004's best album, "Tsunami". The hype has started again with "The second wave" and, for once, it's well-deserved. With a sound that can tear down walls, Khoma's mix of post-rock, indiepop and metal seem to appeal to a wide range of people. Influences from Radiohead are heard in the vocal arrangements, but not to the extent that it becomes annoying. What really makes this band so interesting is that they sound like no other. With members from great acts like Cult Of Luna, The Perishers and old Plastic Pride, it's bound to come out sounding good. They spill their hearts out for us with songs about the great strike in Sweden ("1909.08.04"), feminism and animal rights. But the political aspects are never taking over, it's always the music that's in focus. And I somehow feel that that's exactly how they want it to be. However, there's a negative side to this record and by that I'm talking about focus. Some of the ballads should have been excluded to make the album a total blow-out. And I must say that the decision to include three already released songs, "One of us must hang", "Stop making speeches", "Like coming home", is somewhat boring. But in spite of this, hat's off to Khoma and I look forward to Metaltown in Gothenburg in July. 'Cause if you like them on their records, you should really try to see them live!
- Jonas Appelqvist