has signed Swedish electropop duo Stum (ex-Industrijugend) and will be releasing their debut EP "Extra play" on May 27. Hear the lead single, a cover of Kings of Leon's "Sex on fire", at the band's website: http://www.stum.se/
The nominees for the 2010 Manifest Awards, Sweden's alternative Grammy, have been announced:
Punk/Hardcore: En Svensk Tiger - Versace style () Troublemakers - Made in Sweden () Tysta Mari - Sveriges Casino () The Clichés - Monkey see, monkey do ()
Dance: Minilogue - Samlad årsproduktion Samuel L Session - The man with the case () The Field - Yesterday and Today () Tomas Andersson - Stiff Disco ()
Jazz: Bengt Berger - Beches Brew () Jonas Kullhammar Quartet - The Half Naked Truth 1998-2008 () The Opposite - Intertwined () Plunge With Bobo Stenson - Origo ()
Rhythm: Calle Real - Me Lo Gané () Jaqee - Kokoo Girl () Music is the weapon - Music is the weapon () Syster Sol - Dömd att bli bedömd ()
Rock: Florence Valentin - Spring Ricco () Makeouts - In A Strange Land () Murder by guitar - Murder by guitar () Skriet - Skriet ()
Pop: Anna Järvinen - Man var bland molnen () El Perro Del Mar - Love Is Not Pop () JJ - JJ n° 2 () Jonathan Johansson - En hand i himlen ()
Hårdrock/Metal: Abandon - The Dead End () Candlemass - Death Magic Doom () Katatonia - Night Is The New Day () Tribulation - The Horror ()
Singer/songwriter: Ane Brun - Live at Stockholm Concert Hall () David Åhlen - We Sprout In Thy Soil () Jonna Lee - This Is Jonna Lee () Kristofer Åström And The Rainaways - Sinkadus ()
Folk/ballad: Taken By Trees - East of Eden () Miriam Aida - Letras au Brasil () Tore Berger - I huset långt på landet () Esbjörn Hazelius - Blunda och du ska få se ()
Hip-hop: Mohammed Ali - Processen () Organismen - Om Gud vill och vädret tillåter () Promoe - Kråksången () Stor - Nya skolans ledare ()
Best live: Frida Hyvönen () Jenny Wilson () Fever Ray () Florence Valentin ()
Best unsigned: Den Svenska Björnstammen Extended Heads Fulmakten Nora
What is a good remix? The one that reduces the song to four-on-the-floor beats and the occasional voice sample? The one that expands on the original, or moves it into a completely new direction? The one that just dresses the original song up in some new clothes, but leaves it easily recognised? For Lowe, the last one seems to be the answer. Every remix on this double album can quite easily be traced back to the original. The problem is that Lowe's Depeche Mode/New Order mimicries weren't that great to begin with. No matter what electro-pop costume the songs are dressed in, melodies falters. The singer sounds tedious and generic instead of depressingly heartfelt. When even the likes of Håkan Lidbo can't make a song interesting, something is clearly wrong! The final track, a Lowe remix of Elegant Machinery's classic "Save me" drives the point home perfectly. Lowe may know their way around the studio and can present crystal clear productions... But it's the original melody, the original vocals that give the emotional connection. That worm their way into the skull. That makes me remember what an amazing band Elegant Machinery was. How the Swedish synth-pop scene has lost its way. And I'm sure that wasn't the intention behind this redundant, oversized, repetitive collection. - Hanzan