Label: Black Lodge

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Bullet - Highway piratesBullet
Highway pirates
Black Lodge

8

Up until now, Sweden's answer to AC/DC have been just that -- a Scandinavian version of Angus Young and co. that at times sounded more like the Aussie quintet than they did themselves. Bullet did it with such class, however, that there were rarely cries of 'rip-off'; rather, the majority of people who found their way to the band raved about their similarities in a positive light. Three albums in and we still have that unquestionable 'DC style, but "Highway pirates" shows that the band have this time found a voice more unique to themselves. There's more of a hair metal vibe on here, particularly in the guitar leads and the sung-in-unison chorus parts and this, in itself, marks an essential development in the band's output. Let's face it, "Bite the bullet" and "Heading for the top" were killer releases in their own right, but one more AC/DC-meets-Accept overloaded album may well have found Bullet fall on the wrong side of favour. Songs such as "Fire and dynamite" and "Down and out" display the classic Bullet style and waver little from that formula, while others -- the title track and "Knuckleduster" as prime examples -- show Bullet at their hard rockin' best. More of this and they'll be unstoppable.
- John Norby

Månegarm
Vargstenen
Black Lodge

4

Månegarm is at their best, when they let the fiddle play beautiful epic folk-melodies over mid-tempo power riffs. When they try to speed up their folk influences, it becomes laughable humpa-humpa. Like a Finntroll minus hysterical trolls. And when they try to show their black-metal chops, it feels forced. Neither is as efficient as their epic viking metal. In fact, nothing here matches the best of their previous LP. And the acoustic songs are nice, but not on the same level as their accoustic EP. Maybe the band got bogged down in the storyline, this being a concept album with a tale to tell? Whatever the reason, the songs don't soar like they should, thus losing the interplay between the fiddle, heathen-sounding vocalists and acoustic breaks that is their power. The melodies feel generic and nothing stays after a listen. Where their previous album "Vredens tid" flowed effortlessly, "Vargstenen" falters, flails and barely seems to know what it wants. Nothing the occasional good song or moment can save.
- Hanzan