There's more than a few bands who call themselves Trust, but only one of them is a gnarly math-rock band from Denmark. Forget the French thrashers, the Canadian synth act or whatever other variation might pop in your head because none of them will be covered here. Much like their labelmates Obstacles, Trust excels at matching their instrumental acuity with heaviness and melody and comes out sounding very similar to two excellent bands local to me: C Average and Helms Alee. The former is an obvious comparison due to the drums + guitar duo format (stir it up, add plenty of octave pedal), but it's those soaring vocals and epic riffs that really make the band and are far more comparable to the latter. Similarily, I can only presume that they are likewise underrated, as these kinds of bands so often are. Get through the flurries of notes and take note of what you find on the other side!
is streaming a couple new tracks from Danish heavy mathrockers Trust at myspace: http://www.myspace.com/playrec
The band's debut album "From light into mass" comes out January 31.
has confirmed that Trust's full-length debut "From light into mass" will be released on January 31. I managed to listen to about 2/3rds of it last night and it's pretty cool; definitely well worth checking out for anyone into the label's other releases (Menfolk, Obstacles, etc.) or heavy math-rock in general. The band will also be touring Europe in February and you can get dates here: http://playrec.dk/default.aspx?section=schedule
With very few exceptions, purely instrumental rock albums get very tedious very quickly, often highlighting the importance of the vocal element in adding an extra, somewhat essential, dimension to the overall experience. København's Obstacles fall somewhere between exposing this shortfall and revealing that the inclusion of a singer isn't as important as some may think. The album displays an insane amount of technical wizardry, falling in and out of rock and free jazz, at times sounding like an intense math-rock jam session. Closing track "Locomotive" is where "Dividual" both rises and falls. Featuring the only vocal performance on the album, it makes it very clear that the music Obstacles plays benefits greatly from having a singer -- in this case Henrik W. Hald of Trust and Rising fame -- in the fold. His inclusion offers a distinct Mastodon vibe and shows, undeniably, that this is a band who has the potential to reach a level of appreciation that will escalate them to a greater international recognition. The music is of the same style as on the rest of the album; it's just that where the other, voice-free, tracks often wind up sounding a little too much like fret-wankery of the highest order, the vocal addition gives us something additional to concentrate on, resulting in a greater, true appreciation of the musicianship on display. There's great potential here. Whether or not the band decides to capitalize on that is entirely up to them. - John Norby
Trust has been picked up by Play/Rec and no, it's not the French thrash act that Anthrax covered. This band is a guitar/drums duo featuring ex-members from Up In Arms and they already have one 7" out and another on the way, but Play/Rec will handle their debut full-length, due out in early 2010. Samples here: http://www.myspace.com/abandcalledtrust
Indie/hardcore dudes attempting to play metal is a dicey proposition, hence me approaching Danish act Rising with extreme caution, especially considering the "true fucking metal" banner they fly on myspace. However, in their favor I will concede they have a legit metal brother in guitarist Jacob Krogholt (ex-Withering Surface), but is he enough to offset the potential poseurtude of drummer Martin Niemann (Marvins Revolt) and bassist/vocalist Henrik Hald (Trust)? Or maybe those dudes are just slumming it with their other bands, finally able to let loose their inner-hessian with Rising? It's not an unreasonable question because I must concede that yes, they do successfully bring the heavy. Rising leans a bit towards the angular sludge of Unsane or Årabrot more than, say, the true metal glory of Manowar, but that's not such an awful digression IMO. If you're still in doubt, just wait for the solo section on this track and your opinion might be swayed. And really, I'd much rather hear a band like this than any 4th-rate thrash revival, even if it isn't exactly denim-vest and bullet-belt material or the truest of true. It's heavy and I like it, that's enough.
Obstacles