Here are the winners of the 2012 Manifest award, Sweden's indie/alternative Grammy:
Folk/Ballad: Siri Karlsson - Gran Fuego ()
Experimental: Hanna Hartman - H ^ 2 ()
Punk: Obnoxious Youth - The Eternal Void ()
Dance: Jonsson/Alter - Samlad årsproduktion ()
Hardrock: Opeth - Heritage ()
Rhythm: Simone Moreno - Planetas ()
Singer/Songwriter/Country/Americana: Ane Brun - It All Start With One ()
Rock: Pascal/Mattias Alkberg - Allt det här ()
Best Unsigned: Death By Armborst
Jazz: Jonas Holgersson - Snick Snack ()
Hip-Hop: Mofeta & Jerre - Briljanter & Smaragder ()
Synth: Necro Facility - Wintermute ()
Pop: Azure Blue - Rule of thirds ()
Best live act: This is Head ()
SKAP/Manifest Prize for best lyrics: Philip Ekström - Det Vackra Livet ()
SKAP/Manifest Prize for best composer: Maria Lindén - I Break Horses ()
Manifest Prize for best indie: Popkollo
The nominees for the 2012 Manifest Awards, Sweden's alternative/indie Grammy, have been announced:
Folk/Ballad: Marin/Marin – Småfolket () Merit Hemmingson – EQ () Navarra – Nya fönster () Siri Karlsson – Gran Fuego ()
Dance: Skudge – Samlad årsproduktion () Jonsson/Alter – Samlad årsproduktion () The Field – Looping State of mind () Pallers – The Sea Of Memories ()
Punk: Sju Svåra År – Storma varje hjärta () Obnoxious Youth – The Eternal Void () Vånna Inget – Allvar () Black Feet – Black Feet ()
Hip-Hop: Mofeta & Jerre – Briljanter & Smaragder () Ison & Fille – För evigt () Mohammed Ali – Vi () Roffe Ruff – Barrabas ()
Experimental: Hans Appelqvist – Sjunga slutet nu () Hanna Hartman – H ^ 2 () Ophir – Opus Operatum () Midaircondo feat. Michala Østergaard-Nielsen – Reports on the Horizon ()
Hardrock: In Solitude – The World. The Flesh. The Devil () Opeth – Heritage () Terra Tenebrosa – The Tunnels () The Haunted – Unseen ()
Rhythm: Syster Sol – Kichinga! () Simone Moreno – Planetas () Kapten Röd – Fläcken Som Aldrig Går Bort () OK Star Orchestra – The Beat and the Melody ()
Pop: Azure Blue – Rule of thirds () Jonathan Johansson – Klagomuren () Korallreven – An album by Korallreven () Loney Dear – Hall Music ()
Rock: Pascal/Mattias Alkberg – Allt det här () Kajsa Grytt – En kvinna under påverkan () Bob Hund - Det överexponerade gömstället () Tramp – Indigo ()
Synth: Henric de la Cour – Henric de la Cour () Necro Facility – Wintermute () Mr Jones Machine – Monokrom () Covenant – Modern Ruin ()
Jazz: Jonas Holgersson – Snick Snack () Parti & Minut – Från klart till halvklart () Priming Orchestra – Deep Blue () The Splendor – Delphian Palace ()
Best Unsigned: Death By Armborst Storskogen Schizo and the Personalities Farsta
Singer/Songwriter/Country/Americana: Brothers of End – Mount Inside () Ane Brun – It All Start With One () Promise & the Monster – Red Tide () Lars Bygdén – Songs I Wrote ()
Best live act: Kriget () This is Head () Graveyard () Mattias Alkberg ()
Apparently this album is quite the Big Deal in the synth/industrial world and it's not too hard to understand why -- Necro Facility's music is essentially catchy, angst-ridden emo/pop/mallpunk performed with keyboards as opposed to guitars. I don't mean that as a diss either; while it's not the sort of thing I'd ever seek out on my own, I know well-crafted pop when I hear it no matter what subgenre affectations it assumes and there's no denying that "Wintermute" has sure-fire mainstream crossover appeal. If you like My Chemical Romance or Nine Inch Nails, you'll probably like this a lot and hopefully it'll lead you deeper into the underground. Also, if you find yourself strangely drawn to those weird, seemingly out-of-place techno parts that crabcore bands sometimes employ, you might dig this too. Me, I think it sounds a lot like a shiny, polished version of Skinny Puppy's "The process" with Ogre's brilliant abstract lyricism and heavily processed vocals replaced by crowd-pleasing singalongs and a smattering of those good cop/bad cop dual vocalizations that make me sigh and feel old. Again, no disrespect intended -- I have no doubt that Necro Facility made exactly the record they wanted to make and their target audience will justifiably love them for it. There's nothing wrong with that at all. - Avi Roig