Danish post-rockers Lis Er Stille will release their new album "Apathobvious" on April 10.

Lis er Stille
The construction of the amp train
Brutal But Sentimental

Sometimes you admire an album more than you actually enjoy listening to it. I guess that was the case for me with Denmark's Lis er Stille, a four-piece that favors the "surging rush of sound" approach. There are only four tracks here, all roughly about ten minutes in length, and if you've heard one, you've pretty much heard the album. They really like their pounding drums, their whirling keyboard/guitar blend, and their slightly retro organ riding atop the vigorous waves of sound. The songs generally begin with a quiet intro, with the vocalist sounding not unlike Ola from The White Birch (and at times he reminded me of Grandaddy, as did one of the keyboard sequences on track 2). Then things build in intensity, with simple guitar chords repeated insistently, possibly shifting into a different tempo or mood, then getting intense again. Track 4 holds the most interest, as there are compelling shifts from minor key to major key and a better dynamic balance overall. On a really great stereo, I imagine that this album would sound pretty kickass, especially if you just played it for a few minutes. But as an overall listening experience, it just didn't maintain my interest over several plays, although I would hardly count the band out. With the singer coming more to the fore and some added diversity in the arrangements, a future Lis er Stille album could be very promising indeed.
- Kevin Renick

Rolling Stone's David Fricke picks Danish post-rockers Lis Er Stille as a standout from the Spot Festival: http://gaffa.dk/nyheder/view.php/news_id=15784

MP3: Lis er Stille - End credits

Okay, today's mp3 post is from Danish post-rock act Lis Er Stille and I'm letting Jason Christie do the talking:

WOW! WOW! WOW! Move over Logh, Jeniferever, Appliance, Thom Yorke go work for Greenpeace and the rest of the postrock proggists can veg themselves out on "The construction of amp-train" with Lis Er Stille.
They are not very pretentious, they are just plain pretentious. Four tracks, three lead up - funnily enough - to the "End credits". Yep, one large chunk of a good 36 production tracks of music on two or three interpolating subtle compostions, bright and breezy, titled then crescendoed give up an overriding monster of almost quarter of an hour in length.
"End credits" (which is the only 'real' track on this EP) is epic in its entirety and, after a few snippets of Madrugada in part one, morphs into something likening prog-rock with skittle drums and circulating song lyrics. All of which is very atmospheric, along with the fairground - think house of horrors - squeals, drills and spiral sounds. I liked this, it works well at 3am.

Lis er Stille - End credits