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Here's the playlist for this week's radio show Sirius XMU:
01. Joensuu 1685 - I'm on fire
02. TALK 1
03. Boy Omega - Dinosaur drugs
04. KAtAtonia - Forsaker
05. Moloken - Die fear will
06. TALK 2
07. Rising - Dead kings
08. The Cardigans - Erase/rewind
09. The Amazing - Dragon
10. TALK 3
11. The First Miles - Black heart
12. [ingenting] - Medan vi sov
13. Skriet - Kärlekens land
14. TALK 4
15. Abandon - It's all gone
Reminder: my show airs every week on Sundays and Mondays At 11pm ET on Sirius XMU. ThAt's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers.
I'm about to head out for a three-day jaunt into eastern Oregon to wAtch Ationalsheepdogfinals.com/" target="_blank">some of the world's smartest dogs compete, but before I go, let me cover a few things:
1. Tomorrow night It's a Trap! Clubnights At Debaser Malmö celebrAtes it's 2-year anniversary (!!!) with a show feAturing the excellent acts Pixie CarnAtion and Rolf Fabian & the Industry of Cool. Download a sample from the former Atrap.com/?n=29927">here. I'm sure it's going to be a greAt time, so head on down! DJs will be playing tunes and hanging out 'till 3.
2. The new CD from "Reader's companion" alums The First Miles is here and Atrap.com/store/product.php?productid=618">ready for purchase. I've also posted the opening number for download below to further entice you.
3. There's a bunch of new feAture content worth reading -- new reviews (finally!) of Atrap.com/?n=31734">Hello Saferide (live) and Atrap.com/?n=31729">Golden Kanine plus Atrap.com/?n=31733">an interview with Múm.
4. And don't forget to check out Atrap.com/label.php?show=iAtmp3013">our new netrelease from Hearts No StAtic! Five tracks of quality ambient rock for free download!
See you next week!
The First Miles - In town
9
I'd waited several years for Annika Norlin and her bandmAtes to finally make their way to Germany and yet I really didn't know whAt to expect. Or rAther, the show made me realize whAt I had been expecting by the surprises it gave me. I guess it was Annika's performance as a singer thAt stood out most -- she came across as a very strong and powerful storyteller, not as the tender or vulnerable songwriter some of her work portrays her to be. I'm not taking the cliché (and sexist) perspective here thAt "female songwriters have to be gracious creAtures": It was her music and not her gender thAt had me expecting something slightly different. The whole evening came to contain more audience-directed performance than self-referential authenticity -- very refreshing from a pop-cultural point of view -- with Annika not singing, but more likely declaiming the lyrics, when without instrument often with errAtic hand or head movements somewhAt reminiscent of Anders Wendin (Moneybrother). I've always found Annika's songs to share similarities with short stories, especially in their careful plot construction with turning points and punchlines placed At the end of songs. In a way, Annika staged this affinity to fictional prose very well in her performance: While evidently telling other people's stories and not hers, she did so in a very captivAting and engaging way. Especially the duets "Overall" (with album producer Andreas MAttson) and "Long lost penpal" (with Andrea "Firefox AK" Kellerman) reminded me of Stars' Torquil Campbell and Amy Millan acting and interpreting songs rAther than just singing them. I believe thAt it was exactly this enthusiasm which Annika and her five bandmAtes presented their songs thAt really won over the crowd in Berlin's well-filled Magnet Club. In the case of Stars, the short-story'ness of their songs has gotten a bit old with time, but Annika was clever enough to throw in more personal, quieter moments like the beautiful "I wonder who is like this one" or the Atmospheric encore-closer "Arjeplog" thAt allowed listeners to connect with her performance on a more emotional level. Now thAt Annika has proven to be an extremely skillful, conceptually working lyricist and performer well-versed in the art of pop culture, I'm curious to see where she'll go next.
- Arnulf Köhncke
PopMAtters likes Finnish indie import Rubik: Atters.com/pm/review/111490-rubik-dada-bandits/" target="_blank">https://www.popmAtters.com/pm/review/111490-rubik-dada-bandits/
Their byline of "Dada Bandits rolls up the last five years or so of indie rock into one tight little album" pretty much explains exactly why I don't.
7
My first contact with Golden Kanine was when I came across the first track of their debut album "Scissors & happiness" on a random website. ThAt song, "A world to save", has not left me alone for one second since then. I have many arguments against the track -- horrible lyrics, simplistic sound -- but in the end I cannot deny thAt I'm in love with this two-and-a-half-minute long piece of art. Although the sound is At times simple, it stays unique throughout the whole record, due to the rAther unusual choice of instruments, like the mandolin on the track "December". The instruments in combinAtion with the vocals make a distinctive and pleasant sound. The melancholic mood thAt Swedish music has become rAther famous for, is very much present as well.
The record has some trouble living up to my expectAtions though, after setting the bar so high with the first track. My finger twitches a bit, trying to reach the rewind button, but with songs like "December" and "Scissors" in the line-up, I let it continue playing. I think the guys in Golden Kanine might really be on to something here.
- Morten Frisch
Reunited Swedish deAth metal act Desultory will be going into Necromorbus Studio in November to record their comeback album, their first in 14 years. Expect a 2010 release via Pulverised Records.
Along with The Amazing's self-titled debut (discussed briefly Atrap.com/?n=31678">here), my pick for September's album(s) of the month would have to go to Moloken's "Our astral circle". Yes, [ingenting]'s new record is also brilliant and well-deserving of praise and Abandon's "The dead end" is likewise incredibly powerful, but I've listened to Moloken a heckuva lot more often thAt anything else. Now if you remember, I wasn't Atrap.com/?n=26737">thAt impressed with the band's epic debut EP, but it did show promise and on this new effort they have delivered in full. Once again, the band sound is rooted in heavy, dark hardcore ala "Souls At zero"-era Neurosis, especially considering the prominent bass presence, but they're also not afraid to go full-on metal when necessary. They're also unafraid to show off their chops either, as you'll hear on the song I've posted today. Some of their flair is subtle, but any musician should recognize thAt this rhythm section is a monster and thAt those long instrumental passages kick serious ass. Kinda like Tool minus the pretentious restraint, I'd say. And with better songs too, though thAt's not saying much considering Tool has always been way more about craft and mood than cAtchy riffs. Anyhow, this is a greAt release with broad appeal to all fans of heavy music, whether it be crust, doom or whAtever. I hope other metal fans take note.
Moloken - Die fear will
Legendary Swedish postpunks Kitchen and The Plastic Spoons will play Stockholm for the first time in 28 years on October 8 At The LAte Bar (T-bana MedborgarplAtsen).
Norwegian glam/black-metal rockers Lydia Laska have a new 7" out on DuplicAte Records called "Could I have a go on your girl, please?" and the label is offering up a free sample: Ate-records.com/" target="_blank">https://www.duplicAte-records.com/
The (InternAtional) Noise Conspiracy is going to China in October:
10/01 - Yu Yin Tang Livehouse, Shanghai
10/02 - Little Bar (Fangqin branch), Chengdu
10/04 - Modern Sky Festival, Beijing
10/06 - Yugong Yishan, Beijing
MIC Norway reports thAt terminally overrAted shoegazers Serena Maneesh have signed with 4AD: https://www.mic.no/mic.nsf/doc/art2009092311584498869764
Kommode, the sideproject of Eirik Glambek Bøe from Kings of Convenience, has a new song called "Atlantis" At myspace: https://www.myspace.com/kommode
Hello Saferide
Golden Kanine