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musically, I like meleeh quite a bit. They've got a great balance of aggression and melody and they throw in just enough little rhythmic tricks to keep things interesting without overdoing it. The weak link however, are the vocals. They aren't bad per se, but they're definitely far too screechy for my tastes. Of the many influences they draw from Refused, that's definitely the one I appreciate the least. The syncopated breakdown on "malign" on the other hand, is pretty damn awesome.
Meleeh - Malign
This week's m/group/itsatrap">It's A Trap! Last.fm listening group top 10 artists of the week:
01. Jens Lekman
02. Feist
03. José González
04. Kent
05. The Knife
06. Radiohead
07. Death Cab for Cutie
08. Belle and Sebastian
09. modest mouse
10. Iron & Wine
Do you listen to music on your computer or with an iPod? Join us! Go here to learn more: m/help/" target=_blank>https://www.last.fm/help/
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Finally, a dance-punk band that is doing it all right and will keep you moving all night. The second full-length from The Je Ne Sais Quoi is quite a stunner, and a much-welcomed improvement upon their first album and EP. The band has (for the most part) traded in their previous to the lo-fi production, hestitant drumming and angular guitars for lush orchestrations, vocoders, gorgeous melodies and rock-solid beats - and the results are truly amazing. Having released "Chameleon" as a single what seems over a year ago, the band has used that as a rough blueprint when it came to solidifying what makes "Rhythm" so captivating. Songs such as "Heroica" and "I see it faint tonight" are of the mellow kind, but still are quite danceable, as mellow is a term used loosely to desribe them. "DWTTATF" melds a Parliament-esque synth bassline with incredible hooks, and the following track "Skeletal shakes" harkens on a slight angular guitar riff, but then the chorus hits an almost hip-hop style beat and achieves greatness. To be honest, I really wasn't expecting this album to be as good as it is and, for their own sake, The Je Ne Sais Quoi have created one of the best Scandinavian releases of the year.
- Matt Giordano
The playlist for my radio show this week:
01. mattias Bärjed - 99 pounds
02. TALK 1
03. Piroth - Waltz for prima ballerina
04. Hyacinth House - Swedish signs on monkey Island
05. Aerial - Secret goddess
06. Icos - Fly away
07. TALK 2
08. Robyn - Konichiwa bitches (Trentemøller remix)
09. Folke Rabe - Argh!
10. Him Kerosene - Ladybugs
11. TALK 3
12. Audionom - In the streets
13. The Alpine - Trigger
14. Immanu El - Astral days
15. TALK 4
16. Nina Ramsby & martin Hederos - Jag har en vän
17. Logh - Thieves in the palace
18. Galento - Gunnar Hardings paraply
19. TALK 5
20. Promise and the monster - Antarkis
21. The Je Ne Sais Quoi - Heroica
22. Anchor - In the throes of passion
23. TALK 6
24. Repoman - Valley of snakes
25. Ulver - Shadows of the sun
26. Bobby Baby - Do not twist
27. TALK 7
28. Superfamily - Warszawa
29. The Fine Arts Showcase - modern love
30. Sinikka Langeland - Sus i myrull
31. TALK 8
32. Graveyard - Thin line
33. mai - Snowing downtown
34. KVLR - Abomination
35. TALK 9
36. Säkert! - Sanningsdan
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Riding a huge wave of success and acknowledgement, the freaks are out and back again. This, the follow up to 2005's "Sweden we got a problem", is, despite its simplicity, a more complex record. The hardcore fans, however should not be alarmed by this, the trademark madness QYD do so well is intact throughout all 13 tracks. The impression I get when listening to "Tools for fools" is that the songwriting has improved. For better and worse, I must add. The head-on, full-frontal punkrock with surf vibes, the all-or-nothing feeling is lost on this album at times. And to be really honest, this is one band that is more suited for just releasing EPs. When the band sounds like a date between Dead Kennedys and The Cramps on speed in "Danger! Fire kills children", it's like coming home again. Robert Johnson & the Punchdrunks would be proud of a song like "medieval monsters in the modern man" and "Bodypoppers" is a smart move as the first single, being co-written with The Sounds. To sum it up, these maniacs are enjoying recognition from all sorts of characters including Blag Dahlia from The Dwarves, Ok Go, The Hives and, more surprising, R.A. The Rugged man who is also featured on the opening track "Warmachine". I salute them as well! If they had just weeded out some of the weaker material, the grade would've been higher, for sure.
- Jonas Appelqvist
Seeing as how I just posted a new m/articles.php?a=327">podcast, I figure I might as well keep on draining away my allotted bandwidth as fast as possible. And what better way to do it, than with The Bear Quartet's monster epic "Bear Quartet International Airport". Here's matt Giordano to give you the lowdown:
This song is fucked up, seriously. Our beloved BQ seemed to have stumbled on the musical equation for a throbbing headache, and such a headache can only be cured with repeated listens. Newcomers to the band might have a hard time appreciating the track, as they may find it a tad grating. The first half of is a nice speed-inspired tempo, whilst the second is gorgeous noise. At 5:20 in the song appears to break down, only to kick your ass once again, just to break down further into a new movement two minutes later. With doomsday-esque bass and vocals that make Slayer look like Hannah montana, The Bear Quartet have found their innner Vivaldi and brought the musical apocalypse unto the listener.
The Bear Quartet - Bear Quartet International Airport
Listen to "You got it all wrong", a new track from The Hives: https://zaphod.uk.vvhp.net/v-v/071004145303
Soak the Sin are taking what they are calling an "enforced break." They say, "Hopefully the problems our career is suffering from will eventually be resolved but for now our way forward is to take the step of standing down as a band from the music industry, recharge our batteries and take another look at the situation sometime in 08."
There's a new festival happening in Tampere, Finland called music.fi/">Lost in music to coincide with the upcoming industry event musiikkimedia.fi/" target="_blank">musiikki & media event on October 18-21.
Finnish acts Endstand and The Lighthouse Project on tour in Europe:
10/25 - K 19, Kassel (GER)
10/26 - Scheune, Ibbenbüren (GER)
10/27 - JH, Rosswein (GER)
10/28 - magnet, Berlin (GER)
10/29 - Yacht Club, Brno (CZ)
10/30 - Subclub, Bratislava (SLO)
10/31 - Khoi Khoi, Kosiche (SLO)
11/01 - 7, Prag (CZ)
11/02 - Kultiplex, Budabest (HUN)
11/03 - mochvara, Zagreb (CRO)
11/04 - Gala Hala, Ljubljana (SLV)
11/05 - Arena, Wien (AUS)
11/06 - Zentralcafe/K4, Nürnberg (GER)
11/07 - Feierwerk, münchen (GER)
11/08 - Sedel, Luzern (CH)
11/09 - The Garage, milano (ITA)
11/10 - Les Temps modernes, Vevey (CH)
11/11 - Warmaudio, Decines (FRA)
11/12 - Caravan Serail, Toulouse (FRA)
11/13 - Schlachthaus, Dornbirn (AUS)
11/14 - Club Garage, Saarbrücken (GER)
11/15 - AZ, Aachen (GER)
11/16 - mUK, Giessen (GER)
11/17 - Klubhaus, Saalfeld (GER)
11/18 - Schlachthof magazinkeller, Bremen (GER)
Finally, new music from Lukestar at the Eardrums blog: msmusic.com/2007/10/04/lukestar-white-shade/" target="_blank">https://eardrumsmusic.com/2007/10/04/lukestar-white-shade/
I got a four-song demo of new stuff from these guys earlier this year and let me tell you, it's remained in steady rotation ever since and easily ranks as some of the best new music I've heard in 2007. Looks like we won't get to hear the new album until 2008, but I'm okay with waiting. Very very recommended!
Check out Norwegian singer/songwriter Thomas Dybdahl hanging out with the similarly-named Thomas D of German hip-hop group Die Fantastischen Vier (The Fantastic Four, essentially Germany's answer to the Beastie Boys): ml" target="_blank">https://www.arte.tv/de/suche/1707650.html
Click the 'Sehen Sie die Sendung online' link to launch the video. Note, most of the footage is in their common language English.
The Je Ne Sais Quoi
Quit Your Dayjob