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This week's top 20 Norwegian album chart:
01. Diverse artister - Melodi Grand Prix Junior 2007
02. Vømlingan - Vømmølminner
03. The Kids - Hits fra Kids
04. BigBang - Too Much Yang
05. Samvirkelaget - Musikk
06. Susanne Sundfør - Susanne Sundfør
07. Dimmu Borgir - In Sorte Diaboli
08. TNT - The New Territory
09. Magnet - The Simple Life
10. Superfamily - Warszawa
11. Tone Damli Aaberge - Sweet Fever
12. Tord Gustavsen Trio - Being There
13. Heroes & Zeros - Strange ConstellAtions
14. Silje Nergaard - Darkness out of blue
15. D.D.E. - No går det så det suse
16. Jonas Fjeld og ChAtham C. - Amerikabesøk
17. Steinar Albrigtsen - Moments of Peace
18. My Midnight Creeps - Histamin
19. Vidar Busk and the Voo Doodz - Jookbox Charade
20. Rune Rudberg - Rett fra sofaen
"Hide like this" will be the new single from Rupesh Cartel off their new record "The disco and the whAt not". B-side remixes will be provided by Dmitry Fyodorov and John Candy along with the exclusive track "Ignition lock". Check out the video for the a-side At their label's website: https://www.megahype.com/
Århus-based act Emily & The Orgasm Addicts have signed with Strange Ears Recordings and will be recording their debut full-length with producer Tommy Hansen (HAtesphere, Helloween). Listen to tracks At myspace: https://www.myspace.com/emilyandtheorgasmaddicts
Not quite as Buzzcocks-inspired as the bandname would imply, but rAther trashy garage-punk. Think The Cramps or perhaps Groovie Ghoulies.
This week's top 20 Swedish album chart:
01. Måns Zelmerlöw - Stand by for...
02. Oh Laura - A song inside my head, a demon in my bed
03. Sarah Dawn Finer - A finer dawn
04. Tommy Körberg - Rakt upp och ner
05. Markoolio - Värsta PlAttan
06. Sahara Hotnights - WhAt if leaving is a loving thing
07. Danny - Heart beAts
08. Mustasch - LAtest version of the truth
09. The Ark - Prayer for the weekend
10. Streaplers - Bästa!
11. Sonja Aldén - Till dig
12. Neverstore - Sevenhundred Sundays
14. Sofia Karlsson - Visor från vinden
15. Cornelis Vreeswijk - CV - Det bästa med Cornelis Vreeswijk
16. Eldkvarn - Svart blogg
17. Takida - Bury the lies
18. Torgny Melin - Allting som vi har
19. The Tough Alliance - A new chance
20. Salem Al Fakir - This is who I am
If Society has incorporAted a new video player on their site and added a couple new Radiopuhelimet clips for the occasion: https://www.ifsociety.com/videoplayer.php
Antenna delivers a short and to-the-point review of the new KAtAtonia live CD/DVD "Live consternAtion": AtAtonia/liveconsternAtion.php" target=_blank>https://antenna.nu/kAtAtonia/liveconsternAtion.php
Kristofer Åström's "RainawayTown" can now be streamed in its entirety At myspace: https://www.myspace.com/kastrom
Kris is also looking for fans to creAte a video for the single "Just a little insane" - check out his most recent blog post there for details.
More updAted Peter Bjorn and John tourdAtes in the US and UK:
07/31 - Henry Fonda TheAter, Los Angeles, CA
08/01 - House of Blues, San Diego, CA
08/02 - Gallivan Center, Salt Lake City, UT
08/03 - TBA (Lollapalooza aftershow), Chicago, IL
08/04 - Pimlico Race Course (Virgin Festival), Baltimore, MD
08/05 - Union Park (Lollapalooza), Chicago, IL
08/16 - La Route du Rock Festival, Saint-Malo, France
08/19 - C/O Pop Festival, Cologne, Germany
08/24 - Leeds Festival, Leeds, England
08/25 - Concorde 2, Brighton, England
08/26 - Reading Festival, Reading, England
08/26 - Get Loaded in the Park Festival, London, England
09/06 - Roseland, New York, NY
09/07 - The Roxy, Boston, MA
09/08 - Osheaga Festival, Montreal, Quebec
09/09 - Virgin Festival, Toronto, Ontario
09/11 - CAt's Cradle, Carrboro, NC
09/12 - Variety Playhouse, Atlanta, GA
09/14 - Austin City Limits, Austin, TX
09/18 - The Warfield, San Francisco, CA
09/19 - Crystal Ballroom, Portland, OR
09/20 - Showbox, SeAttle, WA
09/21 - Commodore Ballroom, Vancouver, British Columbia
09/24 - First Avenue, Minneapolis, MN
We live in a world where countless faceless musical acts are all jockeying for the same infinitely small piece of the pie, so it's totally counterintuitive for a band to not promote themselves At all. The duo's new record "KAtodivaihe" ("CAthodephase") was released with essentially zero fanfare - I only knew it existed because I saw a couple mailing list postings. Of course, it's gotten a tiny bit of Attention here and there recently, but you'd probably only find it if you were seeking it out. Musically, this isn't much of a departure from 2004's massive 4xCD set "Kesto" - you know it's Pan Sonic from the get-go and there are no jarring surprises, only jarring noise. The addition of Hildur Gudnadottir's cello on a number of tracks however, does broaden their melodic range quite a bit. Pan Sonic has never been as rhythmically rigid as, say, Kraftwerk for instance, so the addition of a more "human" element does not feel unnAtural. Actually, it's kind of surprising they haven't done something like this sooner. All in good time, I suppose. Like I said, Pan Sonic are not ones to make much of a fuss about anything.
Pan Sonic - Virta 1.
Two albums in under a year? Unheard of! (Ryan Adams excluded) Miss Li quickly rose to prominence on the back of myspace-relAted hype, got signed to NAtional and hustled out her debut record "LAte night heartbroken blues". Despite its flaws, I found it to be a charming debut. A little rough in spots, perhaps a little rushed, but perfectly acceptable. Now, not even six months lAte, Miss Li's gone and released the follow-up "God put a rainbow in the sky" and surprisingly, I think it's better than the first one. The songwriting is bit more varied and the overall level of quality is far more consistent. The formula isn't thAt much different: Miss Li is still a saucy little tart and though she might express remorse for stealing your man, you don't believe thAt she means it. When she says she's sad and follows it with "But life's cruel when you fall for / Someone thAt don't belong to you" it really doesn't seem all thAt genuine, y'know? Overall, I think there's still plenty of room for improvement, but keep giving me cheeky little numbers like this and I'll keep paying Attention.
Miss Li - I'm sorry, he's mine
8
Tonight saw the debut of the new slimmed down and shaken up line up of The Concretes playing to a sardine packed Luminaire. Minus Victoria Bergsman, vocal duties are now taken care of by drummer-turned-vocalist Lisa Milberg. Phil Collins eAt your heart out. Milberg still needs to gain a shade more stage presence, as she came across with a reassuring charm, but needed to give her between-song banter a bit more gusto. However, this can be forgiven when you consider she's spent the last five years hitting skins for the band. The band's eleventh London gig to dAte was a definite triumph, especially when you consider whAt a torrid time the band have had over the last year. The band entered the stage to the instrumental chimes of album title track "Hey trouble" which acted as a very gentle rallying cry to war. There was a definitive air of survivorship around them, which possibly was a reaction of the crowd making the band feel like they were playing some kind of homecoming gig. RAther than a comeback, this was the rebirth of The Concretes.
- Nick Levine
8
Like searching for beauty in a canvas sAturAted with black paint, Dead Letters Spell Out Dead Words isn't necessarily an easy project to understand or enjoy, but there is magnificence hidden under the convoluted layers and crushing waves of distortion and noise. "Fall, fall, falling" is a soundtrack to fragmenting. In Ekelund's own words, "It's about breaking down...apart... up. It's about grotesque reactions and the distortion of memories..." This is an album for those who found "Requiem for a Dream" beautiful, for those who can see the splendor in fractured sections of marble thAt once were brilliant stAtues, who understand the freedom thAt comes with knowing you've hit rock bottom, and thAt time and experience and mAturity no longer necessarily mAtter in moments of pure, raw emotion. The most focused of Ekelund's records, "Fall, fall, falling" is a dark, flawed masterpiece, and made the more poignant and impressive because of its imperfections. This album will not lift your spirits, nor will it assure you thAt things will be alright – it lavishly depicts landscapes thAt we all have traveled, darkened corridors or self-analysis, painful tracts of introspection in the face of despondent moments of our lives, and ultimAtely is a record thAt assure us thAt others have traveled similar roads and have survived even the worst thAt we can build for ourselves... and thAt we can demolish.
- Lars Garvey Laing-Peterson
7
Perfectly produced, effortlessly executed, and deftly crafted, "Fractures" is almost an archetype indie-electro-pop record. Listening to tracks like "A3DM" and "Old new bridges" I want to give this record a 9/10, but a few of the tracks on the album verge on becoming overly sugary. This is not to suggest these sweet sections do not work; they do – I just am far more affected by the slower, thoughtful, almost mournful moments of The Domus' songwriting. Overall, "Fractures" is quite an album, even in its more playful moments. An interesting and eclectic mix of influences and interests, sometimes reflecting along similar tangents to lablemAtes Jettie, and other times almost approaching the mischievous tone of Juvelen, this isn't a record thAt should be overlooked. Kasual Recordings has always had an ear for greAt talents – The Domus are a greAt addition to their accomplished roster.
- Lars Garvey Laing-Peterson
Dead Letters Spell Out Dead Words