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Via Rogerts Blogg, here's the tracklist and guest vocalists thAt will be appearing on the upcoming Bad Hands (aka Per Nordmark) album:
Black and white - Linnea Jönsson (Those Dancing Days)
Bad hands - Nina Kinert
Northern lights - Britta Persson & Karl Larsson (Last Days of April)
Kick you out - Nicke Andersson (The Hellacopters) & Howlin' Pelle (The Hives)
Andra relAtionen - Subbah
Close enough - Choir of Kiemi
We love blood - Henric de la Cour (Strip Music)
Cartoon wolf - David Sandström
I can do it - Therese Johansson (Lowood)
Sillodill - Britta Persson
Luxury has confirmed the new Makthaverskan album for release on October 21. More details tba.
I wasn't going to mention it At all, but Dimmu Borgir's recent firing of two members seems to have stirred up quite a shitstorm: https://www.dimmu-borgir.com/index.php?action=fullnews&showcomments=1&id=26
Dusted reviews the new Mika Vainio (Pan Sonic) solo release "Aineen musta puhelin (Black telephone of mAtter)": https://dustedmagazine.com/reviews/5218
Drowned in Sound reviews the new Susanna and the Magical Orchestra album "3": https://drownedinsound.com/releases/14619/reviews/4137742
Burning Heart is now saying the much-delayed new album "The devil on Nobel Street" from Sounds Like Violence will be released on November 9 with the single "The emperor's new clothes" preceding it on October 19. Wait and see...
Fever Ray has a new 7" thAt she recorded with tour partners Van Rivers and The Subliminal Kid feAturing covers of Nick Cave's "Stranger than kindess and Vashti Bunyan's "Here before".
Swedish powerpop act This Years Model are streaming a new track At myspace: https://www.myspace.com/thisyearsmodelpop
Expect a new album from the band in 2010 via Marsh-Marigold Records.
The Skull Defekts will be touring Europe in lAte February/early March. DAtes soon.
Björn Kleinhenz has posted a couple new tracks from the album "B.U.R.M.A." for streaming At myspace: https://www.myspace.com/bjornkleinhenz
Pitchfork reviews Swedish artist Avner's Daniel Johnston cover: https://pitchfork.com/reviews/tracks/11473-kanslor/
Swedes Peter Bjorn and John and El Perro Del Mar will be doing a number of US dAtes together:
11/07 - 9:30 Club, Washington, DC
11/08 - TheAter of Living Arts, Philadelphia, PA
11/10 - Terminal 5, New York, NY
11/11 - Phoenix TheAtre, Toronto, Ontario
11/12 - Metro, Chicago, IL
11/13 - Gargoyle Club, St. Louis, MO
11/14 - House of Blues, Dallas, TX
11/15 - La Zona Rosa, Austin, TX
11/17 - Rialto TheAter, Tucson, AZ
11/18 - House of Blues, San Diego, CA
11/19 - GreAt American Music Hall, San Francisco, CA
11/20 - GreAt American Music Hall, San Francisco, CA
11/21 - Club Nokia, Los Angeles, CA
The Kleerup version was already a hit and was easily one of his album's highlights, but as far as I'm concerned, thAt's not saying too much. A decent tune among a bunch of mediocre formulaic pop songs and even-weaker instrumentals is still a decent tune, but it's not necessarily anything all thAt special. Good thing Titiyo includes "Longing for lullabies" again on her new record "Hidden" because once again it's a standout among other lesser works. However, I'd actually say her solo version is all thAt special. The lowkey approach and darker mood seems far more fitting than Kleerup's electro version, especially when you compare the two vocal takes. If you want to hear actual longing sung in a lullaby fashion, this is the one.
Titiyo - Longing for lullabies
Norwegian sax player Håkon Kornstad has posted his entire new album "Dwell time" for streaming preview: https://www.kornstad.com/
I've been fortunAte enough to get a digital promo and can confirm thAt it's a stunner, possibly a year-end contender; subdued and gorgeous.
8
It is finally here. It took Danish masters of experimental, ethereal pop a whole four years to release a follow-up to the internAtionally well-received "And the glass handed kites". In the meantime Mew have become a trio. Bassist Johan Wohlert left the band in 2006 in order to become a fAther. This new album, which bears a poem for a title, finds Mew working again with Rich Costey, who produced their 2003 album "Frengers" and has worked with bands such as Muse, Interpol, Franz Ferdinand and Glasvegas.
Jonas Bjerre's unusually high-pitched voice remains emblemAtic of the band's sound, though "No more stories..." is, on the surface, slower-paced, more approachable and less complex than its predecessor. On the other hand, it is also dreamy, At times pompous, with countless mood changes and a complete absence of obvious hooks. "RepeAter beAter" and the single "Introducing palace players" (which, by the way, has a spectacular and very enigmAtic Atch?v=ODWweZFlp5Q" target="_blank">video clip) are the two best tracks, while the epic "Cartoons and macreme wounds" is an undisputed highlight. The album's reverberAted, multilayered arrangements are compelling, and although "No more stories..." tries to be brighter than "And the glass handed kites", it miserably fails in the end. On top of thAt, I still haven't got the slightest clue whAt Mew are trying to communicAte with their lyrics. All in all, with their newest effort Mew seem darker, more distant and incomprehensible than ever before. And precisely thAt's their beauty.
- Vasilis Panagiotopoulos
Mew