Artist: Dieter Schöön

Country: Sweden
Genre: Indie/Pop/Rock
http://www.myspace.com/dieterschoon
Reviews: I'll go there (mp3) / LaBlaza / The harbour's cold (mp3)
Viewing posts 1-15 out of 19

Mourningwood prepares new vinyl from Bombus, Den Stora Vilan, Pyramido

is prepping a bunch of new stuff for release this spring. First up is the new LP "Salt" from Skånska bruisers Pyramido which will be out on May 6 with a release party that night at Truckstop Alaska in GBG alongside Skitkids. Samples and ordering details at the band's website: http://www.pyramido.org/
Second is the self-titled debut from psych act Den Stora Vilan which was produced by Dieter Schöön and will be out on April 27. Sample here.
Lastly, we have the new Bombus 7" "No. 3", out on April 26. I've already mentioned that one in passing, but you can now hear the a-side right here and mark the record release party on April 23 at Oceanen in GBG (w/Spiders) down on your calendar.

Dieter Schöön - Mary Jane (video)

Dieter Schöön's new video for "Mary Jane" can now be viewed at their label's website: http://www.headspinrecordings.com/video.php

Headspin signs Jobalites

Headspin Recordings (Ass, Dieter Schöön) will be releasing the debut album from all-star Swedish ska act Jobalites in May. Listen: http://www.myspace.com/jobalites

Sirius playlist week #6

Here's the playlist for this week's radio show Sirius XMU:

01. Franke - Exil riktas inåt
02. TALK
03. Cut City - Ulyssian widow
04. Montt Mardié - Names not forgotten
05. Strayfolk - I thought I had it down
06. TALK
07. Halph - New money
08. Kaizers Orchestra - Kontroll på kontinentet
09. Wardruna - Kauna
10. TALK
11. Dieter Schöön - Mary Jane
12. Holiday For Strings - Two of you
13. Menfolk - One is all
14. Lama - Raha
15. TALK
16. Bitch Boys - Sighsten H.
17. Regina - Saanko jäädä yöksi
18. Entombed - Parasight
19. Gåte - Snåle mi jente
20. TALK
21. Dyno - Emotional

Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XMU. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers.

Dieter Schöön gets UK, FRA release

Dieter Schöön's phenomenal 2007 album "Lablaza" is out now in the UK and France with new artwork by Claus Castenskiold (The Fall, Gun Club). Tourdates:

03/24 - POP IN, Paris
03/25 - L'Alimentation Générale, Paris
03/28 - The Hope & Anchor, London
03/30 - 12 Bar Club, London

MP3: Alarma Man - Nightwolf

Our guest in this week's entry of our ongoing Göteborg Spotlight Series: the mighty Alarma Man! Not only were they kind enough to answer my questions, they also sent over the very first taste of what's to come on their new album. Read on...

It's been quite some time since we've heard anything new from you guys - why the long wait? What have you been doing these past few years?

Since the release of our 12" split "Duets" you mean? We continued working on songs for a full length album and got the chance to move from our old place to Dieter Schöön's Lablaza (the same place we recorded our debut album). Lablaza was both chaotic and a very creative environment for us. A couple of month passed by. In October 2007 we felt pretty close to start recording the album. December came up and our landlord got an offer he couldn't resist. We were threwn out of Lablaza and Bandidos moved in. So there we were. No rehearsal room, no studio.

A week went by and we found a new home. We moved in together with a bunch of other creative bands/people (URAN, Dieter Schöön, FBFOS).
We started building the studio, in which our album where going to be recorded.
During this 1,5 months we wrote a bunch of new songs.
At this time the idea of collaborate with Adam Magnusson as a producer/sound engineer came up and he became a part of the process.
In march we hit the studio. We all study or work so it took a bit longer than expected to get it done. Now when the album is done we're looking for a label that wants to release it.

Besides working on the album we've been on a couple of tours in Europe and we've helped friends on live gigs and studio albums. (C.Aarmé, Cut City, Uran, Boy Omega and Dieter Schöön).

How does Alarma Man fit into the "Gbg scene"? Does a cohesive scene even exist?

When I hear "Gbg scene" I think of Håkan Hellström and a bunch of bands started by ex-members from Bad Cash Quartet, but I'm not sure if that scene really exists. There are too many band in too many genres to say what would be a part of it. Alarma Man has never felt like we're a part of any scene... If you need to be a part of any, we choose the "good band" scene.

We do have the Koloni/iDEAL scene here in Gothenburg. It's really inspiring to live in the same town as Christian Pallin (Koloni) and Joachim Nordwall (iDEAL). They manage to bring us bands that I've never heard of before and those bands are always good or totally crazy. Either way I'm always satisfied when leaving the venue.

So do you think there's such a thing as a Gbg sound? Or would you say that bands in Gbg are brought together by other circumstances or ideas?

Nowadays you don't need a "real" studio and expensive equipment to make music. I guess the "Gbg sound" was killed by Cubase and ProTools. When comparing Cut City, Uran, Repoman and other great bands from Gbg, I find it hard to see any similarity except for that they make good music. Gothenburg is known in Sweden for it's "loose" and friendly attitude. Perhaps that's the thing with bands from here. Gbg bands focus on the music instead of looking good on stage... haha!

Okay, so tell us about the new album. How is it different/the same compared to what you've done before?

This album is the best music we've ever done (yes I know it's a cliche, but it's true).

Lots of people are asking if there will be vocals on this album. Yes. There will be. A lot!
Adding vocals wasn't a big decision for us. We made "Duets" as an experiment and liked the idea of working with vocals. It might seem a bit strange when you've been known as an instrumental mathpunk band, but we feel comfortable with it. We've never had a plan to be an instrumental band forever and we didn't have a plan to start singing on our second album. It's just the way it turned out.

Another big difference is that we worked with a producer. We needed an outside persons thoughts and vibes in the recording process. Adam has a big part in the arrangements and how the songs turned out.

Our first album was a lot of high speed craziness and big guitar riffs. 4 years has passed by and our new songs are slower, darker and colder. I think a held back fever is a good way to describe the album.

Got a song you'd like to share?

Here's a song from the upcoming album. Its a three-faced song about being chased, therefore the name "Nightwolf". Look out for the saxophones in the chorus, played by our friend Joel Westberg!

Alarma Man - Nightwolf

Goran Kajfes will be recording a new solo album in October for release on Headspin Recordings (Ass, Dieter Schöön).

MP3: Cut City - Replacement

As regular readers know, Saturdays in 2008 are devoted to the music of Göteborg. This week's guest: Max Hansson from Cut City/White Knives.

How long have you lived in Gbg? What brought you there and what keeps you hanging around?

During a drunken haze back in the year 2000 while stuck in my hometown, I threw a dart at a world map and figured that chance could have its way with me. Though aiming for internationally consensus-proven cool cities like New York, Berlin and Paris, I fell short and took the bus up to Gothenburg and started delivering mail with a disgruntled grin. In my bags I had a band lacking any basic nuance of ambition along with an appetite for spending more time on stage than off. It was an unhealthy equation, but by ditching (read: being ditched by) some of the members, I started Cut City with David Hagberg and it led me to fulfill some modest goals of mine. That was six years ago and though many of the people I know have since left town, I stay put. I'm too old to move and my wonderful girlfriend makes life tolerable here. Gothenburg can be quite abysmal at times, mostly during the fall, winter, spring and the majority of summer. There are things here that makes it worth living though: Koloni put on a whole lot of wonderful shows and pushes a healthy experimental climate; Release The Bats put out some amazing music as does Ideal Recordings. Without them, Gothenburg would have you jump for the Xanax bottle.

How do you deal with bandmates living in Malmö? Don't you know they barely speak Swedish down there? What's keeping you from ditching David and getting someone local? Or why don't you sell out Gbg and move south?

Rehearsing less than once a month is what we do and it's how we define work ethic. I've got a small studio (a grand euphemism for old computer) set up in a tiny walk-in closet and that's what keeps me sane. I'm from the south myself so the language barrier is easily broken down. I can't move to the south because I'm banned there and we can't give David the boot because he's a machine and we all know that machines will take over the world and we really, really want someone to be on our side when that day comes. To be honest, Sweden's such a small country that you run into friends pretty much without effort.

Do you feel any connection to the Swedish post-punk scene of yore or do you draw inspiration from elsewhere? Do you ever consider your city's musical heritage at all? Do you think there's any such thing as a Gbg sound?

I merely play the music I do because I lack the musical prowess to play metal. And that's the honest truth. When you read this I'm either at the Iron Maiden concert with 60,000 other heshers or discussing the grandeur of a mummified Eddie with everyone who failed to get a ticket. Post-punk is too broad of a term to stylistically distinguish band A from band B. But I do know what you mean my dear friend. I'll tell you this: my favorite guitarists among many are Roger Mcguinn, Richard Lloyd and Robert Quine - the triple R - and they inspire me in many ways. Trying to copy them while lacking the talent I make my style my own (oh, the hubris).
I moved here being totally oblivious to what this city had spawned band-wise and I knew next to nothing about what it had to offer with the exception of its metal scene and its very distinct Gbg sound. I would say I feel a whole lot more affiliated with the city now after befriending many of its contemporary musicians. I feel a kinship with the likes of Alarma Man, Silverbullit, Dieter Schöön and a slew of other bands that know better than to sing off-key.

How does the city inspire you? How does it stifle you? How do you think people could make it better?

I like to take long, long walks from one end of the city to the other and see how it transforms from big anxiety-provoking concrete blocks to huge beach mansions soon-to-be engulfed by the sea; from rich ghettos to poor ghettos. I like watching people hitting the bars on Avenyn; I like watching the young kids clubbing; I like seeing the contempt erupting from both sides of the coin. This city could mean everything to me and at the same time nothing. I can't say I could tell if it makes me or breaks me. I think people could make it better if they drank more. Juice.

Going to Way Out West this year? Anything in particular that you're looking forward to? Or dreading?

Yes. Deleted Art has two bands playing there this year: The Mae Shi and No Age. I'm amped up and ready to surf the crowd. Then there's Sonic Youth of course, as well as The National and they're both bands I love. Had only Journey been there playing the entire "Escape" album with Steve Perry holding the mic instead of some poor replaceable cover band member, I would literally be bawling. That's not going to happen though, so I might as well just sit back home watching "Frontiers and Beyond" or "Live in Houston". Dreading? I don't want to run my mouth off and take a piss on bands that probably deserves it because that would be rude and I'm not a rude person (Mando Diao). I dread queuing to the unsanitary toilets, shit and piss on the floors.

Lastly, got a song to share? Either from one of your own bands or another, it's all good. Tell me about it!

I don't know if copyright laws prohibits you from sharing "Bastards of young" by The Replacements with your frequent visitors. I would love for you to have that up there instead of being elaborate and unscrupulous enough to exploit this offer and have people listening to my own band. I know the answer to this and will offer you the second best thing to the Mats themselves: "Replacement". It's our own ode to Westerberg et al and a deliberate attempt at stealing the best things in music history.

Thanks!

No, thank you! Still they ride, on wheels of fire. They rule the night. Still they ride, the strong will survive. Chasing thunder.

Cut City - Replacement

MP3: Dieter Schöön - I'll go there

It's Saturday again so that means it's time once again for our weekly series on the music of Göteborg. Our guest: Dieter Schöön.

How long have you lived in Gbg? Where did you move from and why?

Since 92, moved from smaller town called Alingsås about 30 minutes away by car. I moved to join a funkband based in Gbg called The Punk Funk Union.

Do you think that there's a particular Gbg sound?

I don't think there has ever been a particular Gbg-sound, I think it's more like an attitude and vibe around the very purpose of making music that could maybe be described as a Gbg thing, rather than sound.
In my opinion, the main Gbg purpose of making music has always been more about making great music rather than great money or success. This might be cause of the fact that there never really was a big record company operating in Gbg at all; the big ones have always been seated up in Stockholm.
Maybe people are just more serious about music here.

What advantages does living in Gbg offer artists? Disadvantages?

I think the lack of bigger record companies is both good and bad.

If you could pick up and move anywhere else in the world, where would you go?

Köln is a great town! Big river splicing the town up in two parts with four or five big bridges along the river, the terrifying dirty drome wich is covered by creepy sculptures of demons and devils on the surface... Köln is nice I think.

How has the city inspired you? Are there any particular songs of yours that you would say are a direct reflection upon the city?

I think the harbour is a very inspiring place at night with its orange lights and stillness and yes, I think "The harbour's cold" and "I'll go there", both of them are fairly reflective of the city.

Seeing as how I've previously posted "The harbour's cold", here's "I'll go there". Enjoy!

Dieter Schöön - I'll go there

Here's the playlist for this week's radio show:

01. Niccokick - The poet
02. TALK 1
03. Montys Loco - Farewell Mr Happy
04. David Sandström - Apropå det här med att finnas till
05. Mew - Why are you looking grave?
06. TALK 2
07. C.Aarmé - Rhythm
08. Dieter Schöön - Lot's of free Shoes but nowhere to run
09. Meshuggah - Pravus
10. TALK 3
11. Elin Ruth Sigvardsson - Antidote
12. The Bear Quartet - Volksblues
13. Ljudbilden & Piloten - Wedding
14. Lack - Naked girls
15. TALK 4
16. Don't Be A Stranger - Lonely together
17. Namur - Marching
18. NEI - Trip to Luleå
19. TALK 5
20. Printer - All right
21. Moto Boy - Beat heart
22. Christel Alsos - Come back to me
23. TALK 6
24. Promoe - Headache
25. Mustasch - Dogwash
26. Montt Mardié - Too many songs unwritten
27. Pascal - Smärtstillande
28. TALK 7
29. Pan Sonic - Virta 1
30. Pekker - Ass electro
31. Regulations - Police siren
32. TALK 8
33. Deud - Lördag
34. Linus Larsson & John Roger Olsson - Beyond the south tunnel
35. Barra Head - Undermine
36. TALK 9
37. Aerial - Kallisti
38. Paris - Office killer
39. Lukestar - The shade you hide
40. TALK 10
41. Jazkamer - Metal music machine

Here's the playlist for this week's radio show:

01. Timo Räisänen - Sixteen
02. TALK 1
03. Dreamboy - What have I done
04. Echo Is Your Love - Three ropes
05. The Raveonettes - Dead sound
06. TALK 2
07. Connny Nimmersjö - Dum i huvudet
08. Holiday Fun Club - Hamburg in the night
09. Elin Ruth Sigvardsson - Antidote
10. TALK 3
11. Christian Kjellvander - Two souls
12. Heroes & Zeros - The foolproof
13. Gåte - Sjå attende
14. TALK 4
15. Repoman - Chemically obsessed
16. The Soundtrack of Our Lives - Instant Repeater '99
17. Petter - Logiskt (ft. Säkert)
18. TALK 5
19. Dieter Schöön - Warm hearts
20. Springfactory - Stingy Friday afternoon
21. Sivert Høyem - Don't pass me by
22. TALK 6
23. Sweatmaster - Song with no words
24. Enslaved - Enemy I
25. The Concretes - Kids
26. TALK 7
27. Broder Daniel - Cruel town
28. September - Cry for you
29. Britta Persson - Cliffhanger
30. TALK 8
31. TLS - A song left for you
32. The End Will Be Kicks - Ass of a friend
33. Immanu El - Kosmonaut
34. TALK 9
35. Fare You Well - Deceiving eyes
36. Weeping Willows - So it's over
37. Firefox AK - Winter rose (ft. Tiger Lou)
38. TALK 10
39. Scraps of Tape - Death as it should be

Top 10s for 2007: Daggan (Novoton)

Here's the playlist for this week's radio show:

01. The Bombettes - I wanna
02. TALK 1
03. Anna Järvinen - Helsinki
04. Leütenhaven - Still life (trompe l'oeil)
05. Pay TV - Fashion report
06. TALK 2
07. Timo Räisänen - My valentine
08. Jonna Lee - And your love
09. José González - Killing for love
10. The Bear Quartet - It only takes a flashlight to create a monster
11. TALK 3
12. Kristofer Åström - The dark
13. Munck//Johnson - The streets
14. Bertine Zetlitz - Draggin' me down
15. Dieter Schöön - Warm hearts
16. TALK 4
17. Superfamily - The radio has expressed concerns about what you did last night
18. Dead Letters Spell Out Dead Words - Ashen like the sky
19. Kazakstan - Song to the past
20. TALK 5
21. Marvins Revolt - Bugs in time
22. Menfolk - Ghosts
23. Pelle Carlberg - I love you, you imbecile
24. TALK 6
25. Sambassadeur - Subtle changes
26. Stina Nordenstam - So Lee
27. Tobias Hellkvist - Abomination
28. TALK 7
29. Marybell Katastrophy - Slabiak
30. Sinikka Langeland - Høstnatt på Fjellskogen
31. David Åhlén - Wasted breaths
32. Printer - Minds out
33. TALK 8
34. Montys Loco - Wasteland
35. Lampshade - Fjäril
36. NEI - Trip to Luleå
37. Laakso - Hang me in the Christmas tree
38. TALK 9
39. Honey Is Cool - Drums and boys

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MP3: Rigas - It's a shame

Lars kind of hinted at it in his review without coming right out with it: Rigas is more about individual tracks than a cohesive whole. It makes sense when you consider how prolific Henrik von Euler is with all of his many, many projects. Besides Rigas there's skweee alter-ego Rigas den Andre as well as bands like Moder Jords Massiva, The Chrysler and who knows what else? Singles have always been his strong point and it was only after listening to various tracks from "The hardest pocket to pick" isolated on shuffle did they start to stand out. The two already-released singles "Dead like you" and the title track were the first to rise above the rabble and today's track "It's a shame" falls in at #3. In some ways, Rigas reminds me of Dieter Schöön in that the music is always some kind of lackadaisical weirdo electro, 'cept that Rigas typically aims much bigger with his choruses and pop ambitions. There's definite crossover potential. It's still plenty quirky, but not to point of alienation. Think of it as a gateway drug - dig this and maybe you should start investigating some of the other, more out-there stuff Euler works with at his label Flora & Fauna.

Rigas - It's a shame

Dieter Schöön - LaBlazaDieter Schöön
LaBlaza
Headspin Recordings

7

"LaBlaza" is a damned entertaining, eerie romp through the Göteborg electro, avant-rock, and Krautrock scenes; it's a journey where the origin is quickly lost, the endpoint forgotten, and only the blurs scarring the landscape make much sense anymore. "The harbour's cold" is a wonderfully detached electropop song (and might get kids suggesting that we "smoke a spliff in the afternoon", something I haven't heard since my late '90s frolic through the British reggae scene), and the Khonnor-esque (remember him?) "Soft and slow" is every bit as engaging as it is distant. The rest of "LaBlaza" is just as unique and prone to change, but there's a bizarre continuity present as the tracks rumble onwards. Just another record to prove that, while 2007 may have been useless in many ways, the music released this year has been anything but.
- Lars Garvey Laing-Peterson